N°1

One to make at home

A step-by-step guide to making your own Martin Margiela sock sweater as instructed by Martin Margiela

A Magazine N°1 Curated by Maison Martin Margiela, 2004.

“The past is what bonds us, the future leads us.” A Magazine N°1 Curated by Maison Martin Margiela, published in 2004, gathered the testimonies and work of close friends of the House. Using white – a Margiela signature – as a common thread of the stories told, this issue closed with a DIY tutorial by Martin Margiela himself. In “One to make at home,” the designer guides the reader through a step-by-step process to making their own Margiela sock sweater using 8 pairs of white socks.

Sixteen years later,  we take a look back at this archive that feels as contemporary as ever.

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Cover of Article "A Studio Visit with Jenia Kim"

A Studio Visit with Jenia Kim

On a leafy street in Yunusabad, just north of central Tashkent, behind a wrought-iron gate and a garden planted with roses, irises and young fruit trees, stands a pale yellow villa that once belonged to a prosecutor in the municipal justice system. Today it houses the studio of designer Jenia Kim, whose eponymous label — founded in 2014, while she was living in Moscow — has become one of the defining voices in contemporary Central Asian fashion. While many designers from the region have built careers by leaving, Jenia has spent the last four years doing the opposite: building a company, a studio and, increasingly, a creative community in the city where she was born.

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Cover of Article "A ZINE CURATED FOR PARIS SAINT-GERMAIN"

A ZINE CURATED FOR PARIS SAINT-GERMAIN

A Magazine Curated By is proud to announce A Zine Curated for Paris Saint-Germain, a special collector’s edition published to accompany the PSG lifestyle pop-up ICI C’EST PARIS LA MAISON, taking place from 3 to 8 July 2026 in Paris.

 

 

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Cover of Article "A Studio Visit with Dilan Lurr"

A Studio Visit with Dilan Lurr

‘Practicality became a baseline of mine, though not explicitly; it’s just my default mode. I studied civil engineering, and a big portion of my schooling was calculating building materials. Automatically, I became quite practical in how I think, but it’s never the literal starting point for a collection.’

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