At the Russian Federation Pavilion in Venice, the American writer and artist Alice Bucknell’s film Swamp City imagines the Florida Everglades as a luxury nature resort for high-tech eco-tourism in a near future reality of severe climate disruption.
Maison Martin Margiela (2004)
Limited Edition Reprint 2021
Reviving a lost classic, A Magazine presents a limited-edition reprint of
A Magazine Curated By Maison Martin Margiela (2004),
nearly two decades after its original release.
The 2021 replica features original content preserved from cover to cover,
with matching paper stock and cover treatments.
Each new issue contains 1 of 6 unsigned archive prints of photography by
Mark Borthwick, Anders Edström, Marina Faust, Jonathan Hallam,
Paul Helbers & Ola Rindal, or Inge Grognard & Ronald Stoops.
A testament to the ongoing relevance of the founding ideals of the Maison Martin Margiela, this document celebrates the previously anonymous talents of the house. A Magazine Curated By Maison Martin Margiela lays bare their dedication to such phenomena as the deconstruction of garment-making and the disruption of classical ideals in photography, street casting, unconventional beauty, subversive communication, and a Dadaist approach to the very concept of fashion and object design.
In selected stores globally from March 1st.
In a new site-specific work for the multi-hyphenate cultural space, the British artist brings the Ancient Roman art of trompe l’oeil fresco hurtling into the 21st century with his singular approach to contemporary painting practice.
The British writer Charlie Porter investigates a recent history of contemporary artists through their wardrobes, dissecting the practical and stylistic nuances of clothing as an extension of an artist’s aesthetic and philosophy.
A cardboard labyrinth demarcates Fujiwara’s exploration of the Sun bear, an immaterial character born from the artist’s questioning of the consumerism, ownership and authenticity of image.
Curated by Jay Ezra Nayssan, the four-person show ‘Technologies of the Self’ at Marc Selwyn Fine Art, Los Angeles, is a catacomb of sorts — a room ‘decorated’ with coffins or chrysalises, depending on one’s perspective.
The Belgian designer ushers in a triangulation of colour and light for SS 2021, calling upon the early film works of a pioneering New Zealand artist.
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