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Veronique Branquinho
Graduated in 1995 from the renowned fashion department of the Antwerp Academy, Veronique Branquinho presents collections under her own name in Paris since 1997. Today, besides a women’s collection, her label also includes a men’s collection, and a shoe collection.
In the late 1990s, Veronique Branquinho took the international scene by storm with a very personal take on femininity and elegance, her signature strongly influenced by the complexity of the female character. Underpinned by subtle references to film, music and art, her fashion offers an alternative to the big luxury brands. Her collections are favoured by men and women who appreciate high quality clothes with a traditional finishing, in superior fabrics.
The theme of female duality, the transition from girl to woman, the ambiguous mystery of the awakening eroticism, takes centre stage in Veronique Branquinho’s oeuvre. Her work is dominated by the perpetual movement between attracting and rejecting, revealing and concealing… For A MAGAZINE, Veronique Branquinho will create a ‘warm, personal and masculine’ issue, a precious and elegant edition offering a unique view on her world and her work, her passions and sources of inspiration.

Kim Peers photographed by Serge Leblon
Table of Contents
‘Pin Cushion Queen’

‘From Where I Come’

‘Moi, Veronique’

‘Voodoo Girl’

‘As Black As Midnight On A Moonless Night’

Compliments to Beautiful Men

‘Nudes And Smoke’

‘Fire, Fur, and Smoke’

Kuki De Salvertes
Elvis Pompilio and Jean Paul Masse
Priska Morger
‘In Loving Memory: Marc Meulemans’
Bart Ruysschaert

‘Maybe They Knew Everything’

Els Proost

Benjamin Verdonck

Manon De Boer

‘Lucia Melts’

Francis

‘Moving Moments in Fashion’

‘Favourite Recipe I’

‘Favourite Recipe II’

‘Fuel For The Soul’

‘Queen of the Road’

‘Mirror of Venus’

‘The Owls Are Not What They Seem’

Contribution by Raf Simons

‘James’

‘Fetish Tree’
