With room for transcendence, Vietnamese-Danish artist Danh Võ takes us on an unchartered journey through Casa Corbellini-Wassermann, the Piero Portaluppi-designed Massimo De Carlo Gallery in Milan.
A#20 curator Pierpaolo Piccioli incited a monumental artistic dialogue for the Valentino Haute Couture AW2021-22 collection, inviting 15 artists to create garments directly linked with works of contemporary art.
Before its unexpected return, Acne Paper’s past themes are reimagined by the South African art photographer in a series of self-portraits in Paris.
At the Russian Federation Pavilion in Venice, the American writer and artist Alice Bucknell’s film Swamp City imagines the Florida Everglades as a luxury nature resort for high-tech eco-tourism in a near future reality of severe climate disruption.
In a new site-specific work for the multi-hyphenate cultural space, the British artist brings the Ancient Roman art of trompe l’oeil fresco hurtling into the 21st century with his singular approach to contemporary painting practice.
The British writer Charlie Porter investigates a recent history of contemporary artists through their wardrobes, dissecting the practical and stylistic nuances of clothing as an extension of an artist’s aesthetic and philosophy.
A cardboard labyrinth demarcates Fujiwara’s exploration of the Sun bear, an immaterial character born from the artist’s questioning of the consumerism, ownership and authenticity of image.
Curated by Jay Ezra Nayssan, the four-person show ‘Technologies of the Self’ at Marc Selwyn Fine Art, Los Angeles, is a catacomb of sorts — a room ‘decorated’ with coffins or chrysalises, depending on one’s perspective.
The Belgian designer ushers in a triangulation of colour and light for SS 2021, calling upon the early film works of a pioneering New Zealand artist.
Gucci Aria was a hybrid sartorial time-lapse, with traces of the past and present scattered with possibilities of what may lie ahead.
The Musee d’Art d’Histoire de Geneve is radically rethinking its image and exhibition programming, starting with the intervention of the Austrian artist and designer Jakob Lena Knebl, who has reimagined the ‘body’ of the museum at the crossroads of gender.
Exploring the fragility of emotion through ceramics, the Franco-Russian artist Apollinaria Broche added her subversive feminine nuance to Acne Studios’ AW 2021-22 collection.
Milan-based Japanese artist Keisuke Otobe reinterprets a series of images from inside (and outside) the 2021 limited edition reprint of A Magazine Curated By Maison Martin Margiela.
As is often the case in Miuccia Prada’s universe, any easy reading of narrative or reference was thrown off at every turn with her Autumn Winter 2021-22 collection for Miu Miu. Brooklyn-based photographer Zora Sicher documented the lookbook and film project in an exclusive portfolio of behind-the-scenes imagery revealed here.
In a new show at Berlin’s Museum Frieder Burda, Paris-based artist Matthew Lutz-Kinoy creates portals into not-quite-other worlds: scenes, landscapes or events tied to our present or past reimagined.
In Tokyo, Comme Des Garçons’ Junya Watanabe staged a faux rock concert for his Autumn Winter 2021-22 women’s collection, collaborating with Versace on archive rococo prints.
A further look at the methodology of styling itself, in a visual portfolio by Paris-based stylist Imruh Asha photographed by long-time collaborator Carlijn Jacobs.
By unearthing the all but forgotten works of the American artist and writer Joe Brainard, Jonathan Anderson presents a trio of insightful dialogues ft. Jim Jarmusch, Paul Auster and more, complementing Loewe’s Autumn Winter 2021-22 men’s collection with nostalgic memories from the New York School.