A spiral-bound, perforated ‘calendar’ magazine exploring 12 months with 12 artists divining the future through their thinking and their craft, conceived on the occasion of Gucci’s 100-year anniversary.
The acclaimed Belgian architect’s monograph is an invitation to visit spaces of material depth and raw distinction. In an online exclusive, his collaborator Raf Simons shares insight into their creative partnership over the years.
A conversation between Marlon James and Akeem Smith, featured in A#22 Curated By Grace Wales Bonner, the excerpt examines Dancehall and its birthplace of Jamaica
Discover the exhibition SAMUEL FOSSO at the Maison Européenne de la Photographie, Paris.
A new series by the Cameroonian photographer featured inside A#22 Curated By Grace Wales Bonner.
A career-defining, posthumous survey of the Italian painter’s scintillating oeuvre is now on show at Fondazione Prada, Milan.
Discover the NFT artwork collaboration between Vanille Verloës and Dylan Da Silva inspired by the ‘D.I.Y. Sock Sweater’ project published inside A Magazine Curated By Maison Martin Margiela, 2004.
A conversation with Gagosian director Antwaun Sargent at Frieze London 2021 unpacking his exhibition exploring the dimensions of space within the context of the African diaspora.
Entitled Rhapsody In The Street, A#22 responds to the tradition of Black poetry, literature and portrait photography of the 20th century, featuring a curation of archival portfolios and other historical ephemera, as well as newly commissioned essays, poems, paintings and portraits.
An exclusive portfolio of behind-the-scenes images from the Comme des Garçons Spring Summer 2022 collections in Tokyo, Japan, photographed by Noam Levinger.
An audience with Harland Miller at his latest exhibition in the new White Cube viewing rooms in Paris. The artist discusses his new works, his experiences at school in York, England, and life in Paris in the 1990s.
With room for transcendence, Vietnamese-Danish artist Danh Võ takes us on an unchartered journey through Casa Corbellini-Wassermann, the Piero Portaluppi-designed Massimo De Carlo Gallery in Milan.
A#20 curator Pierpaolo Piccioli incited a monumental artistic dialogue for the Valentino Haute Couture AW2021-22 collection, inviting 15 artists to create garments directly linked with works of contemporary art.
Before its unexpected return, Acne Paper’s past themes are reimagined by the South African art photographer in a series of self-portraits in Paris.
At the Russian Federation Pavilion in Venice, the American writer and artist Alice Bucknell’s film Swamp City imagines the Florida Everglades as a luxury nature resort for high-tech eco-tourism in a near future reality of severe climate disruption.
In a new site-specific work for the multi-hyphenate cultural space, the British artist brings the Ancient Roman art of trompe l’oeil fresco hurtling into the 21st century with his singular approach to contemporary painting practice.
The British writer Charlie Porter investigates a recent history of contemporary artists through their wardrobes, dissecting the practical and stylistic nuances of clothing as an extension of an artist’s aesthetic and philosophy.
A cardboard labyrinth demarcates Fujiwara’s exploration of the Sun bear, an immaterial character born from the artist’s questioning of the consumerism, ownership and authenticity of image.