A Magazine Curated By is proud to announce A Zine Curated for Paris Saint-Germain, a special collector’s edition published to accompany the PSG lifestyle pop-up ICI C’EST PARIS LA MAISON, taking place from 3 to 8 July 2026 in Paris.
A Magazine Curated By is a fashion magazine that explores the universe of a chosen fashion designer in each issue. We invite a guest curator – an international fashion designer, group or house – to develop innovative, personalised content to express their aesthetic and cultural values. Each issue celebrates this designer’s ethos: their people, their passion, their stories, emotions, fascinations, spontaneity and authenticity.
Initiated in 2000, the first issue, N°A featuring Dirk Van Saene, was released in 2001. It was initiated by Walter Van Beirendonck and art directed by Paul Boudens for the Landed Geland fashion festival in Antwerp. It was followed by N°B, N°C, N°D and N°E Magazines before A Magazine Curated By Maison Martin Margiela was released in 2004. Originally conceived as Belgium’s first fashion magazine, A Magazine Curated By quickly gained international acclaim for its intimate perspective into the minds of the world’s inspiring fashion designers working today.
Left: N°D Olivier Theyskens, Right: N°B Bernhard Willhelm
2001 – 2004
N°A Dirk Van Saene, N°B Bernhard Willhelm, N°C Hussein Chalayan, N°D Olivier Theyskens, N°E Viktor & Rolf
–
2004 – present
A Magazine Curated By
N°1 Maison Martin Margiela N°2 Yohji Yamamoto N°3 Haider Ackermann
N°4 Jun Takahashi N°5 Martine Sitbon N°6 Veronique Branquinho N°7 Kris Van Assche
N°8 Riccardo Tisci N°9 Proenza Schouler N°10 Giambattista Valli N°11 Rodarte
N°12 Stephen Jones N°13 Iris Van Herpen N°14 Delfina Delettrez N°15 Thom Browne
N°16 Alessandro Michele N°17 Eckhaus Latta N°18 Simone Rocha N°19 Kim Jones
N°20 Pierpaolo Piccioli N°21 Lucie and Luke Meier N°22 Grace Wales Bonner
N°23 Francesco Risso N°24 Erdem N°25 Sacai N°26 Peter Do N°27 Glenn Martens
N°28 Willy Chavarria
As A Magazine Curated By’s guest editor changes each issue, as do the magazine’s contributors. From fashion’s most accomplished creatives to art world stars and internationally acclaimed writers and researchers, A Magazine perpetuates the intimate narratives of an elite level of diverse global collaborators.
The complete catalogue of A Magazine Curated By past issues is available to discover on the ‘Collection’ page. Each issue is introduced by the Editor’s Letter and a selection of print content.
The ‘News’ page features stories and editorial projects from the worlds of fashion, art and culture. Edited by the A Magazine Curated By team, it is an extension of the A Magazine Curated By world with exclusive content created by our contributors.
For more content, find us on Instagram and Facebook.
amagazinecuratedby.com is art directed by Meiré und Meiré, Cologne.
A Magazine Curated By is proud to announce A Zine Curated for Paris Saint-Germain, a special collector’s edition published to accompany the PSG lifestyle pop-up ICI C’EST PARIS LA MAISON, taking place from 3 to 8 July 2026 in Paris.
‘Practicality became a baseline of mine, though not explicitly; it’s just my default mode. I studied civil engineering, and a big portion of my schooling was calculating building materials. Automatically, I became quite practical in how I think, but it’s never the literal starting point for a collection.’
Driven by the concept that stadiums are modern-day temples, British artist and architect Jayden Ali invited the architect behind the Tottenham Hotspur Stadium, Chris Lee, and Spurs Women’s footballer, Lenna Gunning-Williams, to examine the physical spaces of sports.
‛Each human choice made along the way to that final product leaves an immaterial imprint. In forming a ready-to-wear business, I think we can create positive change by making more objects that possess that powerful energy simply by slowing down and growing with intention. Being highly intentional about what materials are used, who is sewing the garment, and who is making the pattern, every step of intentionality creates a final result that deeply affects people.’
For decades, the region has been presented to the outside world through a familiar set of images: silk roads and textiles, nomadic traditions and craft, ornament and folklore. While these references remain an important part of the story, they can obscure a more complex reality. The countries that make up Central Asia have spent the last century negotiating dramatic political and cultural change. Centuries-old traditions, the experience of Soviet modernity and the decades following independence all continue to shape contemporary life. It is perhaps unsurprising, then, that questions of memory, inheritance and belonging recur so frequently in the work of the designers emerging from the region today.
‘Books are a very special format, both as a source of knowledge and as physical objects. They hold a certain weight and presence, and there is something very tactile and intimate about engaging with them. Compared to digital research, they feel more focused and, in a way, more precious.’
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