The morning after their Autumn Winter 2026 show in Copenhagen, Anne Sofie Madsen and Caroline Clante look as though they have not quite come down from it. Sleep has been scarce. After the show they went out with the team — a few beers, a late night.
Photography by Huy Luong
On the evening of March 6, A Magazine Curated By celebrated 25 years of Curation and Creation with the launch of A MAGAZINE CURATED BY: 2000/2004–2025 and the opening of an immersive exhibition at Union de la Jeunesse Internationale, hosted in collaboration with SSENSE.
Designers, artists and longtime collaborators gathered for the occasion, including curators Stephen Jones, Simone Rocha, Lucie and Luke Meier, Kris Van Assche, Martine Sitbon, and Erdem Moralıoğlu, and key figures from fashion, art and publishing.
Set within the historic walls of TATI, the evening unfolded in the spirit of the magazine — creative, intimate and free. Louise Chen curated the night’s soundtrack, an eclectic mix reflecting A Magazine Curated By’s long-standing dialogue with music.
With the valued support of NetJets, the gathering brought together friends and collaborators old and new in a celebration of shared sensibilities. Drinks for the evening were offered by Tequila Komos, Hoxxoh Champagne, L’Acrobat Gin, Fever Tree and Iessi.
The night also marked the opening of a week-long series of public talks, bringing together voices from fashion, publishing and design to discuss independent magazines, the future of fashion and the intersections between fashion, art and community.
The morning after their Autumn Winter 2026 show in Copenhagen, Anne Sofie Madsen and Caroline Clante look as though they have not quite come down from it. Sleep has been scarce. After the show they went out with the team — a few beers, a late night.
Among eroded rock formations and ancient Nabataean ruins lies an oasis of sorts, one that nourishes the spirit of AlUla, Saudi Arabia. A community gathers at this oasis: Villa Hegra, the latest Saudi-French jewel in the constellation of cultural villas.
When I arrived at Nicklas Skovgaard’s Copenhagen studio, he was standing outside in the snow sipping a small cup of coffee and smoking a cigarette. He wore a navy-blue Nike baseball cap and a simple navy coat over a button-up shirt and trousers, the kind of pared-back outfit that has become something of a uniform for him. He and his team had moved into the space just only a month earlier, he said.
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