‘We don’t fight.’ The statement is delivered without emphasis, simply as fact. In fashion, volatility is reframed as creative energy. Raised voices, late pivots, visible intensity — these are common. Encouraged, even. But Awa Malina Stelter and Stephanie Gundelach, the founders of Opera Sport, are not interested in that way of working.
The morning after their Autumn Winter 2026 show in Copenhagen, Anne Sofie Madsen and Caroline Clante look as though they have not quite come down from it. Sleep has been scarce. After the show they went out with the team — a few beers, a late night.
When I arrived at Nicklas Skovgaard’s Copenhagen studio, he was standing outside in the snow sipping a small cup of coffee and smoking a cigarette. He wore a navy-blue Nike baseball cap and a simple navy coat over a button-up shirt and trousers, the kind of pared-back outfit that has become something of a uniform for him. He and his team had moved into the space just only a month earlier, he said.
Laird Borrelli-Persson, Vogue’s Senior Archive Editor, in conversation with Jemma Pinueva
To mark its centenary, Loro Piana has opened its first-ever exhibition: If You Know, You Know: Loro Piana’s Quest for Excellence. Held at the Museum of Art Pudong (MAP) in Shanghai, the show offers a quiet, layered portrait of the Italian house — a brand synonymous with the rarest materials, measured innovation and an almost obsessive devotion to craft.
At Kunsten Museum of Modern Art Aalborg, fashion designer Stine Goya brings her distinctive vision to the museum’s vast collection. Through vibrant colors, tactile staging, and a deeply personal exploration of separation, Goya reimagines the artworks, creating a poetic and sensory exhibition that transcends traditional curation.
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