A#20 curator Pierpaolo Piccioli incited a monumental artistic dialogue for the Valentino Haute Couture AW2021-22 collection, inviting 15 artists to create garments directly linked with works of contemporary art.
A#1 MMM (2004-2021)
as seen by Keisuke Otobe
In celebration of the 2021 limited edition reprint of A Magazine Curated By Maison Martin Margiela (2004), the Milan-based Japanese artist Keisuke Otobe reinterpreted a series of images from inside the issue through his digital-meets-analogue photographic practice.
Through a meticulous layering of physical manipulation, flatbed scanning and collage techniques, Otobe continues the legacy of unconventional image-making that is present throughout this landmark issue – a document that unites so many diverse styles of photographic methodologies across its pages, from X-ray to cyanotypes, photocopying and more.
Starting with the transparent cover wrap with white screen-printed typography designed by Paul Boudens, Otobe delved into A#1 selecting existing imagery that corresponded to his wishes to transform bodies and objects, isolating flat imagery from the printed document and giving it a new three dimensionality.
Scroll below to investigate Otobe’s personal interpretation of this historical project, flowers and flies included.
Before its unexpected return, Acne Paper’s past themes are reimagined by the South African art photographer in a series of self-portraits in Paris.
At the Russian Federation Pavilion in Venice, the American writer and artist Alice Bucknell’s film Swamp City imagines the Florida Everglades as a luxury nature resort for high-tech eco-tourism in a near future reality of severe climate disruption.